袁枚“性灵说”的诗艺追求  

Yuan Mei's Pursuit of Artistry in the Theory of Disposition

作　　者：马杰[1] 

机构地区：[1]石家庄学院文学与传媒学院,河北石家庄050035

出　　处：《石家庄学院学报》2006年第1期74-76,共3页Journal of Shijiazhuang University

摘　　要：袁宏道和袁枚是“性灵说”的主要代表人物,他们都崇尚独抒性灵,但前者强调任情而发,后者有着鲜明的诗艺追求,主张诗文贵曲,独出灵机,对艺术表现方法进行了许多总结探索,认为天资禀赋和学力修养共同构成了作家的艺术才能,而艺术才能是诗艺追求的基础,这就使“性灵说”更趋系统完善。Yuan Hongdao and Yuan Mei were the typical representatives of the disposition theory. They both advocated the exclusive expression of feelings. But the former put emphasis on pure spontaneity and the latter insisted on the art of poetry： euphemism and inspiration. By summarizing and exploring many artistic techniques,Yuan Mei believed that a writer＇s natural gifts and academic attainments formed his artistic ability which was the basis of artistry. All this made the theory of disposition more systematic and perfect.

关 键 词：袁枚 性灵说 诗文贵曲 灵机 

分 类 号：I206.7[文学—中国文学]