试论宋代《渔家傲》词的创作与嬗变  

The Inditing and Evolvement of Yu Jia Ao in Song DynastyL

作　　者：陈鑫[1] 刘尊明[2] 

机构地区：[1]武汉大学文学院,湖北武汉430072 [2]湖北大学文学院,湖北武汉430062

出　　处：《齐鲁学刊》2006年第1期130-134,共5页Qilu Journal

摘　　要：《渔家傲》是两宋词坛上出现较早而且颇有特色的一个小令词调,出现了不少以创作此调而著称的词人,留下了许多名篇佳作。该词调具有高扬清丽的音乐风格和声情特征,终宋之世传唱不衰。北宋前期,《渔家傲》的歌词创作即呈现出繁荣景象,以范仲淹、晏殊、欧阳修三人的成就最高。中期以后,则进一步朝着多元并存的格局发展演变,以苏轼、黄庭坚、周邦彦三人的贡献最大,他们各自构成一派,并在其身后衍为一脉支流。the melody, Yu Jia Ao, is a characteristic tune. It was first produced in Song Dynasty, and was in Ci-poets＇ good graces. This Melody is resounding and clear in vocality and music manner, always so popular in the entire Song Dynasty. The lyric of Yujiaao flourished in the forepart of Song Dynasty, Fan Zhong-yan, Yan Shu and Ou Yang-xiu had the most outstanding accomplishment. In the latter of Song Dynasty, the inditing was evolved into diverse pattern, and the most outstanding achievement was produced by Su Shi, Huang Ting-jian and Zhou Bang-yan. Each of them had found a genre of Ci and their style of inditing was inherited by the later generations.

关 键 词：《渔家傲》 宋代 词 文学创作 

分 类 号：I207.23[文学—中国文学]