中国古代文论与画论研究综述  

A Summary of the Study of Ancient Chinese Literary Theory and Paining Theory

作　　者：金安辉 李龙镇 

机构地区：[1]华北科技学院人文社科系,北京101601 [2]韩国庆北科学大学

出　　处：《廊坊师范学院学报》2005年第4期32-35,共4页Journal of Langfang Teachers College

摘　　要：中国古代社会诗文书画是主流艺术,因而文论也必然与音乐理论、书画理论关系紧密。以往的中国古代文论研究往往只注重单线演进,而忽略了它与其他艺术种类相互滋养相互启迪的关系。文章对20世纪以来的中国古代文论与画论的研究作一简单梳理,期在能对中国文学批评史学科的系统深入的研究提供一份资料、一点线索。In ancient Chinese society, poem, painting and writing were chief arts, so literary theory must have close connection with musical theory and painting theory. The previous ancient Chinese literary study usually focused on the single development and neglected its relationship to the other relative arts. This paper gives a simple summary of literary and painting theories since 20th century and hopes to offer some clues and data for the systematic study of literary critical theory of China.

关 键 词：中国古代文论 画论 交叉研究 

分 类 号：K248[历史地理—历史学]