论汉代漆器与同时代艺术的相互影响  

The Mutual Effection about Han Dynasty Lacquer Ware and Han' Various Arts

作　　者：卢杰[1] 

机构地区：[1]青岛科技大学文学与艺术学院,山东青岛266042

出　　处：《枣庄学院学报》2005年第6期47-50,共4页Journal of Zaozhuang University

摘　　要：漆器作为汉代重要的文化载体,其工艺和艺术水平居各类手工业之首。汉代漆器的风格特征并不是一个孤立的现象,除了在绘画、书法、青铜器等装饰风格和工艺技术上的相互渗透,在汉代铜镜、汉代画像石、画像砖以及汉代瓦当等等工艺美术中,那些自由流畅且富于弹性的线条以及气韵生动的风格与汉代漆器的装饰都是一脉相承的。所以说汉代漆器是在各种艺术的相互影响中发展成熟的。As an important cultural carrier of Han Dynasty, the craft and art level of lacquer ware reside the head of other handicraft industry. The style characteristic of lacquer ware in Han Dynasty is not an isolated phenomenon. It permeates mutually on the style of decoration and the craft techniques such as painting, calligraphy, bronze vessels etc. Besides, on craft arts of Han Dynasty like copper mirror, portrait stone, the portrait brick and tiles, the flute and elastic line and the vivid style are all a veins to accept mutually with the lacquer ware of Han Dynasty. Thus, the lacquer ware of the Han Dynasty matures in mutual effect of various arts.

关 键 词：汉代漆器 绘画 青铜器 工艺 风格 

分 类 号：K876.7[历史地理—考古学及博物馆学]