真实的幻境——从通俗电视剧浅谈大众文化对现实生存的干预  

Real fairyland ——A discussion as to mass culture’s interference in realistic survival from the perspective of popular TV play

作　　者：余敏先[1] 

机构地区：[1]淮南师范学院中文系,安徽淮南232001

出　　处：《淮南师范学院学报》2005年第6期36-39,共4页Journal of Huainan Normal University

摘　　要：大众文化作为这个时代的文化霸权,渗透了生活的每一寸空间,营造了真实的幻境,并越来越以巨大的权威干预现实生存,它在制造快乐的同时也产生了负面影响。其中通俗电视剧是具有广泛性和代表性的典型文本,它的非个性化、符号化和娱乐化特征体现出与大众文化的一致性。人们从电视剧那里获得了对社会整体的生动形象的了解,并自觉地认同其背后的价值,个人的主体性迷失了。文章从《蓝色生死恋》等电视剧出发对上述问题作一分析。Mass culture, the culture hegemony of the times, penetrates every space of life, interferes with realistic survival with more and more authority, building real fairyland, bringing about not only pleasure but side effects as well. Popular TV plays are typical texts which enjoy great popularity and representation. Their non-individuation, symbolization and recreational nature embody their consistency with mass culture. One obtains a vivid understanding of the whole society through TV plays, accepts the containing values consciously, and then one individual＇s main body＇s character is in a maze. This article analyses the abovementioned through some TV plays like the Korean one LanSeShengSiLian（an eternal love story

关 键 词：大众文化 通俗电视剧 《蓝色生死恋》 非个性化 符号化 娱乐化 

分 类 号：G02[文化科学]