归义军时期的“音声人”  

The Professional Musicians in Buddhist Monastery During The Period of The Return to Allegiance Army

作　　者：刘进宝[1] 

机构地区：[1]南京师范大学历史系,江苏南京210097

出　　处：《敦煌研究》2006年第1期67-71,共5页Dunhuang Research

基　　金：江苏省高校2003年度社科基金

摘　　要：音声之名出现于唐代,它的来源是北魏时期的乐户。其政治地位低于良人,而经济地位可能与百姓略同。唐后期五代,音声的地位比以前有所提高。唐五代的藩镇设有乐营。沙州归义军政权的乐营由乐营使、乐营副使、都史组成,其演艺人员就是音声。音声是分番执役的,当上番执役时,由官府提供衣粮。但他们也占有部分土地,以供其下番时生活。The term of Yin Sheng (the professional musicians) had appeared in the historic documents during the Tang Dynasty of which was original of the Musician Family attached to The powerful personage in a community during the Northern Wei Dynasty. The social position of the professional musicians was considered to be lower than the family of high moral standing but they had probably enjoyed the equal economic right as the common people in the society. Their social position had much improved during the later period of The Tang and The Five Dynasties and there were special musician camp exist in the governor of a frontier province in charge of both civil and military affairs by this time too. The musician camps of the Return to Allegiance Army period of Dunhuang had set up special officer in charge of the Camp, which consisted of a Head of The musician camp, The Vice-head and The Executor-ship, the members of the musician camp were called the people of Yin Sheng. They were offered with food and clothing by the Local government while their on duty in a turn. They had also owned land to feed themselves in the spare-time.

关 键 词：归义军政权 音声 官户 杂户 

分 类 号：J609.2[艺术—音乐]