质疑与颠覆——关于《鬼子来了》去意识形态倾向的分析  

Query and Subversion

作　　者：李萍[1] 

机构地区：[1]海南师范学院中文系,海南海口57118

出　　处：《海南师范学院学报（社会科学版）》2005年第6期118-121,140,共5页

摘　　要：这是一部使每个看过的人都不得不思想的极其另类的影片。它在想象与虚构中剥掉人为的政治矫饰去重构一种历史的真实,欲还人们一个影片创作者所认同的真实历史的记忆。但这种还原是残酷的,它似乎并不像我们所熟悉所期待的那样。于是,检视战争中“沉默的大多数”去理想化的真实生存状态成为影片表现的主体。荒诞却充满隐喻的叙事使得影片更像是一把双刃剑锋利地穿透中日民族性格的华丽外衣,直逼其本质内核,对参与其中的所有人进行人性的检视,丝毫不留情手软。从这个角度说,《鬼子来了》是一个关于我们民族性格和命运的寓言。The Japanese Invaders Come is a unique and thought-provoking film, for it aims to reconstruct a historical reality through the removal of artificial political embellishment by way of imagination and fabrication, and to bring back the memory of authentic history accepted by the film maker. The restoration is, however, cruel, for it appears different from what we are acquainted with and expectant of. Thus, the principal part of the film lies in the portrayal of how to scrutinize the actual state of existence idealized by the ＂tacit majority＂ in war. The absurd but metaphoric narrative renders the film as a two-blade sword piercing the gorgeous garment of the Chinese and Japanese peoples, getting to very essence of the two peoples and examining the humanity of everyone involved ruthlessly. Judged from this angle, The Japanese Invaders Come is a fable of our national character and fate.

关 键 词：质疑 颠覆 去理想化 民族性格 

分 类 号：I206.7[文学—中国文学]