影像中潘金莲母题的现代性转化  

The Female Prototype PAN Jin-lian and Its Evolution in Modern Visual One

作　　者：夏中南[1] 

机构地区：[1]中国传媒大学广播电视艺术系,北京100024

出　　处：《学术探索》2006年第1期128-132,共5页Academic Exploration

摘　　要：潘金莲作为中国传统女性形象的一个类型,一度是女性研究的聚焦点。这个艺术形象从诞生之初就凝聚了丰富的文化内涵,也充满了伦理张力。启蒙运动中,潘金莲由“淫妇”翻案变为领一时风气之先的女性个性解放的一面旗帜,话剧《雷雨》又里程碑式为它注入现代性因素,到了今天的电视剧中,潘金莲式女性已经初步具备了审美现代性意味的女性主体意识。这个母题在各种体裁文学艺术和不同时代的阐释中经历了一次次的“置换变形”,对它由文本到影像变迁的梳理无疑具有很强的理论探索意义。As one of the image types of traditional Chinese women, PAN Jin - lian has always been the focus of woman studies. This artistic image was endowed with both colorful cultural connation and moral implications from the day of its creation. In the Enlightenment Movement, the image of Pan turned from a debauched woman to an embodiment of the precious spirit of woman＇ s self emancipation. Moreover, the Drama Thuderstorm added some modernistic elements into it. In today＇ s TV dramas, such kind of images as Pan has basically taken the form of modem female characters with aestheticfeatures. Since this prototype has undergone various adaptations and changes in different literary and artistic genres during different times, an theoretic exploration of its traces of evolution from literary image to the visual one will be surely of great significance.

关 键 词：原型 个性解放 伦理嫁接 主体性 

分 类 号：I242.4[文学—中国文学]