晚明拟话本小说创作的思想文化背景考论——以《型世言》为中心  

The Thought and Cultural Background of Scripts for Story-telling in Late Ming Dynasty——A Research Based on Xing Shi Yan

作　　者：胡莲玉[1] 

机构地区：[1]四川大学文学与新闻学院

出　　处：《西南师范大学学报（人文社会科学版）》2006年第2期57-62,共6页Journal of Southwest China Normal University(Philosophy & Social Sciences Edition)

摘　　要：《型世言》和《三言》《二拍》之创作非如学界通常所认为的,一受程朱理学之影响,一受阳明心学之影响。程朱理学、阳明心学非对立之学说,其伦理指向是一致的。《型世言》中体现出的也不是传统的儒家道德规范,而是已经世俗、功利化了的儒家伦理道德。阳明学说兴起后儒家伦理通俗化的运动,儒家思想在由上层向下层传播时所发生的世俗化转向如蒙书、功过格等的价值取向,构成了晚明拟话本小说创作的思想文化背景。It is usually acknowledged that the creation of the three books Xing ShiYan, San Yan and Er Pal are influenced respectively by Cheng ＆Zhu＇ s Neo-Confucianism and Wang Yangming＇ s ideas. But Cheng ＆ Zhu and Wang Yang Ming＇s doctrines are not antagonistic. Their ethic goal is the same. Popularization of Confucian ethics after the rise of Wang Yangming＇s doctrines, secularization of Confucianism in the transmission from the higher social clasps to the lower classes form the philosophical and cultural background of the creation of scripts for story-telling in late Ming dynasty.

关 键 词：《型世言》 《三言》《二拍》 儒家伦理通俗化 民间意识形态 

分 类 号：I207.41[文学—中国文学]