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作 者:肖霞[1]
出 处:《东北亚论坛》2006年第2期109-114,共6页Northeast Asia Forum
基 金:教育部人文社会科学研究2003年度(博士点基金)项目"日本近现代文学中的浪漫主义与基督教研究"(03JB750.47-99007)
摘 要:森鸥外留学德国,潜心于卫生学、军医学、文学、哲学、美学、艺术的研究。回国后,积极开展社会启蒙与文明批判,在西方哲学中寻求审美与人生的价值,发表了浪漫的青春三部曲———《舞姬》、《水沫记》和《信使》,其作品表现出来的近代性和浪漫性开日本浪漫主义文学之先河,为日本近代文学的确立打下了坚固的基础,是研究日本近代文学不可忽视的重要内容。Mori Ogai studied abroad in Germany, where he concentrated on research in the fields of hygienics, milltary surgery, literature, philosophy, aesthetics and art. After his return home, he was actively involved in social enlightenment and civil criticism and quest of aesthetic judgment and the value of life and published his romantic trilogy: The Dancer, The Foam, and The Messenger. Because of the modern and romantic characteristics, his works became the forerunner of Japanese literary romanticism, laid a solid foundation for the establishment of modern Japanese literature, and became a significant part not to be ignored in the study of modem Japanese literature.
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