中国“写人学”的命意及其本土文化身份  

On the Naming of the Study about Chinese Describing Personages and its Local Cultural Status

作　　者：李桂奎[1] 

机构地区：[1]上海财经大中人文学院,上海200433

出　　处：《温州师范学院学报》2006年第1期55-61,共7页Journal of Wenzhou Teachers College(Philosophy and Social Science Edition)

摘　　要：从语义分析的角度看,中国“写人学”这一命名最能显示该学科的本土文化身份。具体说来,与“画”融通之“写”是最重要的中国文论话语之一,而“人”又历来被认为是文学创作的核心,饱含着丰富的文化底蕴。由于中国“写人论”的核心和气脉是由绘画理论演化而来的“以形传神”,因此,中国“写人”之“学”的理想构架应当是由“写形”、“传神”以及“设色”、“写心”等传统话语整合而成的有机体系。From the semantic analysis angle, the naming of the study about Chinese describing personages mostly demonstrate its local cultural status. Specifically speaking, ＂the word describing＂, which is credit with ＂the word drawing＂, is one of the most important Chinese literature theory discourses. And ＂personages＂, which is being full of the rich cultural meaning, was always considered as the literature creation core. Because the core and pulse about ＂the Chinese theory of describing personages ＂are ＂expressively by the shape＂ coming from the drawing theory, the ideal truss of ＂study＂ about Chinese describing personages must be the organic system which is conformed by the traditional discourses, such as ＂describing appearance＂, ＂transmission facial expression＂, ＂designing the color＂ and＂ describing soul ＂ and so on.

关 键 词：写 人 写人学 绘画 形神 本土化 

分 类 号：I206.2[文学—中国文学]