形式即内容——试析《喧哗与骚动》叙事形式的艺术效果  

On the Artistic Effects of Narrative Form in The Sound and the Fury

作　　者：周小飞[1] 谢立才[2] 

机构地区：[1]广东外语外贸大学国际商务英语学院,广东广州510420 [2]绍兴文理学院外国语学院,浙江绍兴312000

出　　处：《绍兴文理学院学报（哲学社会科学版）》2006年第1期55-58,120,共5页Journal of Shaoxing College of Arts and Sciences

摘　　要：本文通过对威廉.福克纳小说《喧哗与骚动》中的叙事形式与所揭示的人物意识的分析,指出《喧哗与骚动》中作者从四个叙事角度成功通过不同侧重点的叙述形式向读者展示四个不同的意识世界。这样小说中的叙事形式与意识的重合使读者获得一种立体的视角,从而积极地参与到文本意义的阐释中去。This paper investigates the narrative form and the artistic effects thus achieved in William Faulkner＇ s novel The Sound and the Fury. It aims to elaborate on how the writer uses the modernist narrative form to create the counterpoint of different worlds so as to highlight the theme of human nature. The author argues that variances and disturbances in narrative voice and in the control of narrative conventions reveal differences among consciousness worlds by analyzing the three Compsen monologues and the omniscient narration in Dilsey＇s section.

关 键 词：叙事形式 人物意识 多角度叙述手法 

分 类 号：I106.4[文学—世界文学]