康巴尔汗在新疆现当代舞蹈发展史上的地位与作用  

Kemberhan Memet' s Position and Role in Xinjiang History of Modern and Contemporary Dancing Development

作　　者：王贞琴[1] 

机构地区：[1]新疆艺术学院舞蹈学院,新疆乌鲁木齐830001

出　　处：《新疆艺术学院学报》2006年第1期43-46,共4页Journal of Xinjiang Arts University

摘　　要：康巴尔汗在近半个世纪的舞蹈表演生涯中认真总结经验,正确处理继承与创新的关系,为维吾尔民族舞蹈的创新、发展做出了重大贡献。作为维吾尔族舞蹈表演艺术家、教育家,她在新疆现当代舞蹈史上居于首要地位。Owing to her formal and systematic dancing education since childhood and her industry, Kemberhan Memet started to show her talent in the dancing performance when she was young. In a long period of the dancing education, she gradually put her thought on it into shape and trained many dancing artists. In her nearly 50- year dancing career, she summed up the past experience, made a good balance between heritage and creation, and contributed a great deal to the creation and development of Uygur dance. Therefore she takes a capital position in Xinjiang history of modem and contemporary dancing development.

关 键 词：康巴尔汗 舞蹈艺术 成就 贡献 

分 类 号：J709.2[艺术—舞蹈]