中国当代先锋戏剧的语言策略  

Language Stratagems of Some Recent Chinese “Avant-garde" Plays

作　　者：叶志良[1] 

机构地区：[1]浙江师范大学人文学院

出　　处：《戏剧（中央戏剧学院学报）》2006年第1期110-117,共8页Drama:The Journal of the Central Academy of Drama

摘　　要：在中国当代先锋戏剧中,语言固有的诗性被颠覆。随着统一完整的剧场趋于分化瓦解,戏剧本体发生裂解,导致构成戏剧诗的两大基本形式———造型与语言疏离,有的向着动作造型方向转化,舍弃语言的作用要素;而有的则转向于语言的放大,走向更纯粹的语言试验。这自然是后现代情势下先锋戏剧语言操作的两极。The poetic of the language is undermined in Chinese contemporary avant-garde drama. As a result of the disintegration of the idea of the organic whole in theatre, stage practice has witnessed a split between the plastic and the literal, leading to a polarization between spatial adventure and linguistic experimentation.

关 键 词：先锋戏剧 造型 语言 

分 类 号：J824[艺术—戏剧戏曲]