钢琴演奏音乐表现的分寸感之哲学、美学思考  

Deliberations of Proper Limit Of Music Expression in Piano Performance

作　　者：刘畅[1] 

机构地区：[1]华南理工大学艺术学院钢琴系,广东广州510006

出　　处：《星海音乐学院学报》2006年第1期79-84,共6页Journal of Xinghai Conservatory of Music

摘　　要：本文以钢琴演奏中音乐表现的分寸感作为参照对象,从哲学、美学等视角多元探索,通过对哲学映射下人们对音乐美的认知发展脉络的简洁梳理,以及对美学领域“尺度”依据的理论参考,提出看待钢琴演奏中音乐表现分寸感的辩证思路。This essay takes the proper limit of musical expression of piano performance as reference, from philosophic and esthetic point of view. It searches the common discipline of musical expression of piano performance,under the light of philosophic thinking, and according to the theoretical meaning of proper limit inside the range of esthetics,puts forward a dialectical train of thought about the proper limit of music expression in piano performance.

关 键 词：钢琴演奏 音乐表现 分寸感 哲学 美学 辩证思维 

分 类 号：J601[艺术—音乐] J624.1