中国现代主义小说:想像中的时间  

Chinese Modernist Novel:Imaginary Time

作　　者：郭小东[1] 

机构地区：[1]广东技术师范学院中文系,广东广州510665

出　　处：《华南农业大学学报（社会科学版）》2006年第2期85-94,共10页Journal of South China Agricultural University(Social Science Edition)

摘　　要：着眼于时间才有可能把握存在。对于存在的阐释与象征,是现实主义小说的要义。时间作为现实与存在的绵延符号,想像时间,就成为以表现存在为皈依的现代主义小说的基本方式。环境的时间性,构成了小说形式的姿态。在所有时间的回响中,现实虚无化为存在,时间也因此变质为想像的虚构。鲁迅的小说,几乎都是在追忆的方式下的“当下”展开。他所展开的是一条向后之路,以此引导人们向前。马原等也因叙述圈套的设计,把时间错位和重构,作为对现实主义的对抗因素。小说表象的现实内容,变质为一种自为的时间状态,一种在时间绵延中被重新安置的超现实的存在符号。记忆的保存性被追忆的消解性所代替。这是中国现代主义小说的基本表现。Focusing on the absolute present is the only way to control one＇s own existence. The main theme of realism novel is to explain and interpret the meaning and symbolisms of being in existence. Time is the interrelation between the present and the existence; therefore, imaginary time becomes the representation of Symbol to the existing interpretation and is the essence of realism novels. Environment as a function of time forms the novel＇ s progressive style. In the repercussion of the various functions of time, the abstraction of the presences solidifies into real existence, and time as a result, becomes multiplied into abstract reality. Almost all of Lu Xun＇ s novels follow the format of dissemination of a memoir in the present sense. He initiates the path that stretch to the past in order to lead the reader forward. Ma Yuan and some other novelists of that genre also describe the operation of traps in order to displace and time and restruction in order to recreate and emphasize the rebellion against modernism. The presence, as presented in the novels, uses self-centralized time dimension, in other words, a type of hyper-present that ubiquitously extents in temporal continuum. The preservation of memory is replayed by the digestion of memoirs. This is the fundamental concept of Chinese modernistic novels.

关 键 词：现代小说 想像 虚构 时间 存在 

分 类 号：I206.6[文学—中国文学]