阴郁的色彩 深邃的悲情——试论曹禺三大悲剧力作的内在意蕴  

Gloomy colour and profound pathos——Discussion on inherent significance in the three major tragedy of Cao Yu

作　　者：李雅妮[1] 

机构地区：[1]宝鸡文理学院中文系,陕西宝鸡721007

出　　处：《沈阳工程学院学报（社会科学版）》2006年第2期191-193,共3页Journal of Shenyang Institute of Engineering:Social Science

摘　　要：《雷雨》《日出》《原野》被称为曹禺的三大悲剧,三部剧作始终表现出阴郁的色彩和深邃的悲情这一深厚的内在意蕴。这一内在意蕴贯穿于作品的内容与形式之中,是剧作家气质、性格与审美风格的自然流露,这也使得其作品具有独特的传情力和感染力。Thunder Storm,Sunrise and Champaign are the three major tragedy of Cao Yu. They represents the distinctive inherent significance of gloomy colour and profound pathos. This inherent significance is impenetrated in content and form of works, is the natural outpouring of writer＇s temperament, character and aesthetic style. It aim make his tragedies have particular expression and infection.

关 键 词：《雷雨》 《日出》 《原野》 阴郁 深邃 内在意蕴 

分 类 号：I206.6[文学—中国文学]