从人与自然的关系看晚唐五代词的意境生成与流变  

On the Generation and Evolution of the Artistic Conception of Ci of the Late Tang and Five Dynasties from the Relations between Man and Nature

作　　者：张吉琳[1] 

机构地区：[1]西北师范大学文学院,甘肃兰州730070

出　　处：《涪陵师范学院学报》2006年第1期75-79,共5页JOurnal of Fuling Teachers College

基　　金：国家社科基金项目:"从人与自然关系的嬗变看意境型诗歌的生成流变"(C04XZW002)

摘　　要：晚唐五代词处于词的开创阶段,在花间词到南唐词的流变中,词在人与自然的关系上也有相应的转变,从而意境上也有了与此相适应的流变过程。即从描写亭台楼阁的闺阁生活到自然山水的转变,由此带来了词的意境由婉约绮靡向清丽的转变,从单纯的抒发离愁别绪到注入深沉的忧患意识、深切的家国之慨,由抒发一己之情到深刻的宇宙人生哲思的转变。正是在这样的转变中晚唐五代词为宋词开了先路。The late Tang and Five Dynasties were the initial of ＂Hua Jian Ci＂ to Ci style of Southern Tang, the Ci about the period of Ci. During the change from the style relationship between man and nature changed correspondently, and as a result, the artistic conception also changed. The change from the description of the life in pavilions to the description of natural sceneries caused the Change from restrained style to elegance, from expressing the feeling of separation to the profound worrying about the fate of the country, and from the personal feeling to the philosophic thinking about the world and life. All these changes in the late Tang and Five Dynasties were the pioneer of the Song Ci.

关 键 词：意境 生成流变 自然 花间词 南唐词 

分 类 号：I207.23[文学—中国文学]