怀旧电影与上海文化身份的重构  

Nostalgic Films and the Identity Reconstruction of Shanghai Culture

作　　者：陈犀禾[1] 王艳云[2] 

机构地区：[1]上海大学影视艺术技术学院,上海200072 [2]上海大学文学院,上海200444

出　　处：《上海大学学报（社会科学版）》2006年第3期39-44,共6页Journal of Shanghai University(Social Sciences Edition)

摘　　要：怀旧电影特指20世纪90年代以来以20世纪30年代前后的上海为主要表现对象的影片。与20世纪30年代电影中的上海形象相比,怀旧电影中的老上海淡化了政治色彩,被赋予国际化、消费化和世俗化特征。怀旧电影作为一种大众媒介,为当代上海形成国际化的目标身份和日常消费文化,制造出一种上海想像,与上海的文化建设构成互动共谋的关系,影响了当下上海的文化走向。Nostalgic films are often referred to the 1930s-Shanghai-topic films that have been shown all over the country since 1990. The old Shanghai displayed in these films, different from the one in the 1930s films, is given a weak political image and characteristic of the internationality, consumption and vulgarity. As one of the mass media, nostalgic films create a fictional Shanghai that shapes the real Shanghai＇s international identity and everyday consumption culture, and, by way of the interaction with the Shanghais cultural construction, influence its developing tendency of culture.

关 键 词：怀旧电影 上海文化 影视理论 

分 类 号：J90-05[艺术—电影电视艺术]