从《奥菲欧与尤丽狄茜》看格鲁克的歌剧改革  

On Opera's Innovator Gluck Viewed from His Orfeo and Euridic

作　　者：安小梅[1] 

机构地区：[1]湖州师范学院艺术学院,浙江湖州313000

出　　处：《青海师范大学学报（哲学社会科学版）》2006年第3期94-96,共3页Journal of Qinghai Normal University(Philosophy and Social Sciences Edition)

摘　　要：格鲁克是歌剧史上划时代的人物,是歌剧的改革者。在18世纪初,他对意大利正歌剧提出了改革。主张音乐要为戏剧服务,简化音乐及情节,摈弃传统的炫技要求,提倡自然淳朴的表现,并强调歌剧应有深刻的内容,追求戏剧的真实性,力求将歌剧的各种表现手段融会一体。由他创作的歌剧《奥菲欧与尤丽狄茜》就努力实现了这些改革主张,并获得了成功,在音乐史上留下了光辉的一页。Christoph WillibaldvonGluckis an epoch - making opera innovator in the history of opera. In the beginningof 18thcentury, aiming at the malpractice in the form of then popular Opera seriain Italy, he lodged a reformatory allegation. He thought that music should serve for drama. He predigested music and plot. He cast away the traditional showing - off technique and advocated the natural and unsophisticated representation. He emphasized that opera should have profound meaning and sought the authenticity of an opera. He also combined every representational skills into a whole, getting rid of all of the superfluous stuff. In thecreation of his first reformatoryopera , Orfeo and Euridice, he realized all these propositions and gained success. ,leaving a resplendent page in the history of music.

关 键 词：格鲁克 歌剧改革 《奥菲欧与尤丽狄茜》 意大利 

分 类 号：I546.3[文学—其他各国文学]