聂耳的“新兴音乐”创作与30年代的中国革命  

Nie Er:Composing "New Music" and Revolution in 1930's China

作　　者：何稼书 张静[2] 

机构地区：[1]美国密西西比大学历史系,美国ms386770158 [2]中国社会科学院近代史研究所

出　　处：《南京大学学报（哲学．人文科学．社会科学）》2006年第3期78-88,共11页Journal of Nanjing University(Philosophy,Humanities and Social Sciences)

摘　　要：聂耳是20世纪中国著名的作曲家,他的创作对于理解20世纪中国艺术与音乐的发展及其走向政治化的历程十分重要。探讨聂耳关于艺术的角色及现实对于艺术与艺术家之重要性的见解,讨论他的音乐如何传达中国现代民族主义和革命精神,有助于理解中国的现代性与革命的共生关系。聂耳将不同的艺术观念综合一体,在吸收西方音乐技巧和创造中国新型革命艺术方面取得了成功。对聂耳进行研究可以为30年代中国左翼知识社群的意义和影响予以重估,他的创作———无论是题材还是风格———都代表着中国革命音乐的巅峰,并可为其后的几代歌曲作家充当样本。As a famous Chinese composer of the 20th century, Nie Er is important in understanding the development and politicization of Chinese art and music of the century. A discussion of his ideas about the political role of music and importance of reality for both musicians and their artistic activities, and of how his music expressed modern Chinese nationalism and the spirit of revolution contributes to understanding the symbiotic relationship between modernity and revolution in China. Nie Er integrated different conceptions of art, and was successful in creating a new form of Chinese revolutionary art with Western musical techniques. A study of Nie Er can make possible a reassessment of the significance and impact of China＇s Leftist intellectual community of the 1930s. Both in subject matter and style, his compositions reflect the high point of Chinese revolutionary music, so that they have served as a model for the following several generations of musicians.

关 键 词：聂耳 新兴音乐 左翼文化运动 

分 类 号：K263[历史地理—历史学]