试论蒙古族音乐文化对元散曲声韵句法修辞的影响  

ON INFLUENCE OF MUSICAL CULTURE OF THE MONGOLIAN NATIONALITY ON RHYME AND RHYTHM,SENTENCE STRUCTURE AND RHETORIC OF SANQU SONGS OF THE YUAN DYNASTY

作　　者：云峰[1] 

机构地区：[1]中央民族大学文学与新闻传播学院,北京100081

出　　处：《内蒙古师范大学学报（哲学社会科学版）》2006年第3期25-29,共5页Journal of Inner Mongolia Normal University：Philosophy and Social Sciences Edition

基　　金：教育部人文社会科学研究"十五"规划研究项目(01JA760012)"元代蒙古族与汉族文学关系研究"的阶段性研究成果之一

摘　　要：在元代多民族文化交流的大背景下,元散曲受到了蒙古民族及其文化的影响。其中蒙古族及北方其他少数民族的音乐文化对元散曲的形成以及繁荣兴盛曾产生过一定的促进与影响作用。具体如元散曲的声韵、句法、修辞等,由于受壮伟狠戾、嘈杂凄紧的蒙古族音乐之影响,体现出了与其前唐诗、宋词等韵文作品明显不同的特点。故从蒙汉文学文化交流的角度来研究元散曲的形成以及繁荣兴盛,将对研究此问题提供一个实用的新视角。The Mongolian nationality and its culture had an influence on songs of the Yuan Dynasty against a grand background of multi-nationality cultures, among which the musical culture of the Mongolian nationality and many other minority nationalities played a promotive and influential role in the formation and prosperity of sanqu songs of the Yuan Dynasty. For example, the rhyme and rhythm, sentence structure and rhetoric, etc. of sanqu songs, influenced by the grand, ruthless, noisy and plaintive Mongolian music, embodied the sharp characteristic contrasting with the previous verses in the poetry of the Tang Dynasty and the Song Dynasty. So a study of the formation and prosperity of sanqu songs in the Yuan Dynasty will provide a new and practical visual angle from the angle of the cultural communication of the Mongolian and the Han literature.

关 键 词：蒙古族音乐文化 元散曲 声韵 句法 修辞 影响 

分 类 号：I207.24[文学—中国文学]