20世纪90年代女性都市小说中的纪实叙事  

Actual Event Narrative Strategy in the Female Metropolis Novel in the 1990s

作　　者：程箐[1] 

机构地区：[1]赣南师范学院中文与新闻传播系,江西赣州34100

出　　处：《南昌大学学报（人文社会科学版）》2006年第3期117-121,共5页Journal of Nanchang University(Humanities and Social Sciences)

基　　金：2005年江西省社会科学规划项目"20世纪90年代女性都市小说与消费主义文化研究"(编号为05wx05)研究成果之一

摘　　要：20世纪90年代女性都市小说受到文坛内外的广泛关注,这与女作家们确立了与阅读市场相匹配的叙事策略有密切的关系。女作家们在创作小说时,大量采用纪实手法,把自己真实的人生经历、生活方式及个人隐秘世界的体验、经验穿织其中,并用一大堆现实的能指符号制造真实、强化真实,让读者对她们的小说产生了浓厚的兴趣。纪实叙事给女性都市写作带来的危机是作家想像力的日渐匮乏以及被动的卷入商业泥潭而担上“色情文学”的罪名。这是女作家们要超越自我时所不容忽视的。This article focuses on the actual event narrative strategy in the female metropolis novel in the 1990s. In the decade, female metropolis novel got the solicitude of internal and external literary world and it has great relation with the narrative strategy that female writers adopt and match with readers. Female writers adopt the skill of record of actual events in large quantity when creating novels through the actual life of self ,way of life and individual privacy. They appealed to the strong interest of readers with truth and reinforcement of truth in their novels. The actual event narrative strategy that brings crisis to female metropolis writing is the gradual scarcity of the writer＇ s imagination as well as the awkwardness. This should not be neglected by woman writers if they are to surpass themselves.

关 键 词：都市小说 女性文学 纪实 叙事策略 

分 类 号：I207.4[文学—中国文学]