唐文三变  

The Three Evolutionary Phases of Ontological Conceptions in Literature during the Tang Dynasy

作　　者：刘真伦[1] 

机构地区：[1]华中科技大学中文系,湖北武汉430074

出　　处：《山东师范大学学报（人文社会科学版）》2006年第3期14-19,共6页Journal of Shandong Normal University(Humanities and Social Sciences)

摘　　要：文学本体观念的更新导致文学思潮的演变,进而影响创作原则、创作方法乃至题材、体制、风格以及批评理论的演变,从而完成文学理论范畴的系统转换,并最终影响文学创作时代风尚的变迁。唐代文学本体观念由“原道”、“言志”向“缘情”的转变,直接影响了唐代散文创作风尚的变迁,非常经典地展现了文学革命的完整过程。The renewal of ontological conceptions in literature leads to the changes of literary currents, and further to those of creative principles and methods as well as of subject matters, literary forms, styles and critical criteria, so as to bring the transformation of literary theories and currents to completion. During the Tang Dynasty, this sort of renewal is to be divided into there phases： ＂Showing Dao＂, ＂Stating Wills＂ and ＂Expressing Emotions＂, which have directly influenced the trends of the writing of prose at that time, and typically exemplified the whole procedure of revolutionary changes in literature.

关 键 词：文学本体观 文学革命 唐代散文 

分 类 号：I207.62[文学—中国文学]