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作 者:李铮[1]
机构地区:[1]贵州大学艺术学院音乐系,贵州贵阳550003
出 处:《贵州大学学报(艺术版)》2006年第2期89-92,共4页Journal of Guizhou University Art Edition
摘 要:在钢琴艺术领域里,贝多芬的贡献是无与伦比的,第三十一号奏鸣曲是他的晚期作品,宁静而致远,仿佛贝多芬已从充满矛盾的戏剧性上升到了沉思内省的哲学思维中,这就是再现这首乐曲的基调。“宁静致远”,是演奏这首乐曲的出发点和归宿。In the realm of piano art, Beethoven's contribution is incomparable, the sonata op. 110 was a work in his later times. It is quite but with the result that far. It seemed that Beethoven's thought had already risen to the introspective philosophical thinking from a dramatic situation full of contradiction. This is the keynote of the reappearance of the melody. “Quite with the result that far” is the springboard and goal of the music.
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