重看八十年代的实验小说浪潮  

Reviewing the Tide Of Experimental Novels in The 80's

作　　者：宋丹[1] 

机构地区：[1]徐州师范大学文学院,江苏徐州221116

出　　处：《河池学院学报》2006年第3期39-45,共7页Journal of Hechi University

摘　　要：二十世纪八十年代的实验小说写作浪潮,开拓了新时期小说艺术多元化的崭新格局,本文对此予以重新梳理和探讨。第一波冲击是以王蒙为代表的意识流小说写作实验,率先把借鉴西方现代派艺术手法纳入了新时期小说创作轨道,引起文学传统观念的连锁裂变。高峰阶段是以马原为代表的实验小说写作,显现为多元化艺术的有机融合,并彻底颠覆了传统的小说观念和写作模式；而刘索拉、韩少功、残雪、莫言、格非、余华等人,均以各自的艺术取向和实验追求营造出不同的小说形态。最后指出,连续不断的写作实验是保持文学生命力永远鲜活跃动的必要途径。This article is going to review and question the tide of experimental novels in the 80＇ s of the 20th cantnry, which widened the new structure in the new period about the diversified fitnesses for novels. Wang Meng is the representative of the first shock wave who made the experiment on novels with stream of consciousness,. He led off to bring the modernistic art from the western literature into chinese artistic orbit of the new period, causing the chain fission of the traditional concept of literature . Ma Yuan＇ s experimental novels reached the crest of this tide , presenting to the amalgamation of the diversification in art and thoroughly overthowing the traditional concept in novels and the writing mode. As for Liu Suola ,Han Shaogong Hua etc. presented different novel forms according to their own art perspective. This text points out finally that making successive experiments in novels is the necessary way to keep vitality in literature of the anthors.

关 键 词：实验小说 文学本体 艺术多元化 

分 类 号：I207.42[文学—中国文学]