诗歌、歌曲和舞蹈的数字人类学根据及其美学意义  

Poetry,Songs and Dances:The Basis of Anthropology and Its Aesthetic Meaning

作　　者：托马斯.克伦普 郑元者[2] 

机构地区：[1]阿姆斯特丹大学 [2]复旦大学艺术人类学与民间文学研究中心

出　　处：《广西民族学院学报（哲学社会科学版）》2006年第4期8-11,1,共4页Journal of Guangxi University For Nationalities(Philosophy and Social Science Edition)

摘　　要：诗歌、歌曲和舞蹈作为交流的工具,超越了音乐的诸多限制。它们在传达某种信息上所需要的那种转换,实质上是以数字来表示的。本文所介绍的诗歌、歌曲和舞蹈的数字原则的应用,极好地说明了它们有着明确规定的数字人类学根据以及美学意义。As means of communication, poetry, songs and dances transcend many of the limitations of music. The transformation, in the presentation of a message, which they require, is essentially numerical. The application of the numerical principles of poetry, songs and dances, presented in this paper, perfectly illustrate that poetry, songs and dances have their clearly defined basis and aesthetic meaning.

关 键 词：诗歌 歌曲 舞蹈 数字人类学根据 美学意义 

分 类 号：C912.4[经济管理]