20世纪中国现代主义诗歌的高峰——论“九叶派”诗歌出现的必然及其意义  

The Peak of Chinese Modernist Poetry in the 20th Century—— on the inevitability of the appearance of the Nine-Leaves-School and its significance

作　　者：刘士杰[1] 

机构地区：[1]中国社会科学院文学研究所,北京100732

出　　处：《信阳师范学院学报（哲学社会科学版）》2006年第4期97-102,共6页Journal of Xinyang Normal University(Philosophy and Social Sciences Edition)

摘　　要：“九叶派”的出现有其必然性,由社会现实的外部环境所决定。从现代主义诗歌发展的规律来看,现代主义诗歌要向前发展,就必须加以改造和整合,而“九叶派”诗歌正是经过改造和整合的现代主义诗歌。“九叶派”在中国现代主义诗歌流派史上是达到高峰、趋于完美阶段的一个流派。“九叶派”将西方现代主义诗歌的艺术手法融于当时中国时代背景下的现实主义精神之中。“九叶派”在中国新诗史上的最大功绩是,打破了“诗必须表现情感”的传统信条,提出了“新诗现代化”的主张,更新了固有的诗歌观念。The appearance of the Nine-Leaves-school has its inevitability. First, the external environment of the social reality gave rise to its emergence. Under the historical condition, poets of the Nine- Leaves-School had no other choices but combined modernism and realism. Second, from the perspective of the inherent law of the development of poetry, particularly, the law of the development of modernist poetry, modernist poetry must be transformed and reshaped so as to develop. The poems written by poets of the Nine-Leaves-School are just the kind of modernist poems that have been transformed and reshaped. The Nine-Leaves-school is a school that has reached the peak and the perfect stage in the history of the Chinese modernist poetry. It applied artistic technique of Western modernist poetry to the spirit of realism of the times of China. It inherited, absorbed and discarded and surpassed, in different degrees, other schools of poetry prior to its emergence including schools of poetry of realism, romanticism, initial symbolism, crescent moon and modernism. Its greatest contribution in the history of Chinese new poetry is that it has done away with the traditional perception that ＂Poetry must express emotion＂, advocated modernization of new poetry and changed the original concept of poetry.

关 键 词：“九叶派” 中国现代主义诗歌 高峰 完美 流派 

分 类 号：I206.6[文学—中国文学]