李健吾评价《九十九度中》“最富有现代性”的原因探析  

On the Reason that Li Jian-wu evaluates "At Degree Nineteen Nine" as "the Most Modern One"

作　　者：刘俐俐[1] 汪怡涵[1] 

机构地区：[1]南开大学文学院,天津300071

出　　处：《内蒙古大学学报（哲学社会科学版）》2006年第4期86-91,共6页Journal of Inner Mongolia University(Philosophy and Social Sciences)

基　　金：教育部人文社会科学研究2003年度(博士点基金)项目(项目批准号:03JB750.11-44020)

摘　　要：以西方新叙事学的“横向窗口”“嵌入窗口”概念为方法,对《九十九度中》进行文本分析,发现在“横向窗口”和“嵌入窗口”的自由交叉转换中,叙述总是趋向两组“喜”与“悲”的四个故事,这种结构产生了特殊的美学效应:传达作家的人文情怀以及对于人生的理解;让互相关联的人物在各自的心理内容中形成差异和反差,以此刻画人物。文本在无限虚拟中,自然构成无边无际的网,寓意了生活的无限可能性,而作家裁剪下来的若干人物的故事和场景,正是作家对于生活发言的表征。According to Li Jianwu, the short story At Degree Nineteen Nine by Lin Huiyin is the inost modern one： This is the starting point of the present article, which will further more explore the literary ideas of the Beijing School, what Li Jianwu means by inodernity＇and the psychological situation of Lin Huiyin at that time. Returning to the text, borrowing the ideas of hori- zontal window＇and inserted window＂ from narratologies, the article finds, on the basis of closed reading, that the four stories fall into two groups： happy and sad, with the freely interweaving and transferring of the two above - mentioned windows. This struc- ture produces the special aesthetic effects： conveying the anthor＇s human concerning and understanding of life, depicting the characters by the contrast of interrelated characters in each other＇s psychology. What＇s more, it is concluded that the fictitious text makes an endless net, which is a symbol of life with infinite possibilities, from which the author chooses some stories and situations to articulate his opinions for life. In such a way, the article illustrates the features and of modernity in the story At Degree Nineteen Nine.

关 键 词：《九十九度中》 京派文学理念 西方新叙事学 横向窗口 嵌入窗口 

分 类 号：I207.42[文学—中国文学]