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作 者:熊艳艳[1]
出 处:《语文学刊(高等教育版)》2006年第8期76-80,共5页Journal of Language and Literature
摘 要:随着中外文化交流的增多,后现代主义已逐渐进入了我们的话语范畴,也在国内引起了热烈的讨论与争论,但由于后现代主义这一术语本身便具有模糊性和不确定性,因此,许多相关的疑惑和问题依然未有定论。本文浅析了托马斯·品钦的小说《拍卖第四十九批》中主人公奥狄芭所经历的扑朔迷离的追寻过程并简要阐释了其人其名,从而勾勒出了荒诞、迷宫似的后现代社会中人所面临的无奈、孤独、偏执等命运,以此来认识和解读后现代主义。With the increasing cultural exchanges between China and other countries, the notion of postmodernism has come into our discourse paradigm and also caused Vehement discussions and argumentations. However, owing to the indeterminacy and ambiguity of the notion itself, a lot of related doubts and problems are still around here. This article analyzes the complicated exploration of Oedipa in Thomas Pynchon's novel The Crying of Lot 49, and as well illustrates this character and her name so as to shed light on the powerless, desolate and paranoid fate in the absurd and labyrinthine postmodern society. Hence getting to know and understand postmodernism.
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