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作 者:袁勇麟[1]
出 处:《暨南学报(哲学社会科学版)》2006年第4期13-18,共6页Jinan Journal(Philosophy and Social Sciences)
基 金:霍英东教育基金会第九届高等院校青年教师基金项目<世界华文文学史料学研究>(编号:91100)
摘 要:历史叙事实则体现了写作主体的精神动态,通过历史叙事呈现,我们可以洞察主体意识形态走向。鉴于台湾文学史的特性以及两岸相隔的现实,大陆的台湾文学史写作更突出了距离对视中包含的种种政治文化想象,通过考察历史叙事提供的言说疆域版图,一方面可以探掘这一想象空间的多面维度,另一方面也可以完善学科的发展建设。本文选择刘登翰、杨匡汉、黎湘萍以及朱立立等所撰写的几本台湾文学史著作为样本,试析大陆学者台湾文学史理论视野的位移及其背后意识形态的变动。History narrates facts which reflect the psychological state of writing subjects.Therefore,we could perceive the trend of the subject ideology by narrative illustration of the history.Due to the characteristics of Taiwan literary history and the isolation of the Straits,the Taiwan literature history written by mainland scholars prominently reflects various political and cultural imagination of the distance perception.By exploring the narrating space territory provided by historical narration,we could both study the multiple dimensions of their imagination space and perfect our subjects' future development.This article analyses the movement of mainland scholars' theoretical perspective in writing their Tainwan literature history and changes in ideology behind them by studying sample Taiwan literature history works of Liu Denghan,Yang Kuanghan,Li Xiangping,Zhu Lili.
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