九叶诗派意象艺术的现代化追求  

The Modern Pursuit of Imagery Art of Nine Leaves School

作　　者：王泽龙[1] 

机构地区：[1]华中师范大学文学院,湖北武汉430079

出　　处：《河北学刊》2006年第5期137-141,共5页Hebei Academic Journal

基　　金：2005年度国家社会科学基金项目<中国现代诗歌意象论>(05BZW049)

摘　　要：九叶派诗歌在民族的、人类生存状态的现实关怀与个体生命的价值体验的结合中,体现了意象的现实性、象征性、玄学性相互渗透的诗学原则。九叶诗人自觉追求意象内质的充盈与丰厚,意象形态的沉稳与内敛,使意象更具有外在的感性强度与内在的理性深度,形成了一种意象的深度象征形态。九叶诗人的意象艺术探索还体现为意象思维的现代性特征:意象的扩展式与意象的凝结式思维特征。他们在意象的广度性开拓与深度性掘进中,把诗歌意象艺术的现代化推进到了一个新的境界。According to the text, the poetry of Nine Leaves School embodies the poetics principle, that is, the interpermeation of realism, symbolism and metaphysics of imagery, in the combination of realistic solicitude for people＇s living conditions and the individual realization of value. Nine Leaves School is spontaneously pursuit of the interior abundance of imagery and the firmness and restraint of imagery form so as to make imagery be of external perceptual intensity and internal rational depth and form a deep symbolic pattern of imagery. The imagery exploration of Nine Leaves School is also reflected in modem characteristics of imagery thought： extended and condensed characteristics. They promote the poetry modernism of imagery art to a new state in the exploration of range and deoth of imagery.

关 键 词：九叶派诗歌 意象艺术 现代化 

分 类 号：I206.6[文学—中国文学]