“大师的批评”之另一面——论沈从文文学批评的局限性  

The Other Side of The Master's Criticism:The Shortcomings in Shen Congwen's Literary Criticism

作　　者：王济远[1] 

机构地区：[1]济南大学艺术学院,山东济南250002

出　　处：《齐齐哈尔大学学报（哲学社会科学版）》2006年第5期9-12,共4页Journal of Qiqihar University(Philosophy & Social Science Edition)

基　　金：济南大学博士基金项目:项目编号(B0609)

摘　　要：30、40年代的沈从文,是京派小说的“大师”级人物。沈从文在小说创作的同时也写下大量的批评文字。作为“大师的批评”,沈从文的批评文字的确有独到之处,但其局限是非常明显的:个人艺术趣味对其文学批评的制约;对左翼文学现象作简单化排斥、抵制所反映出的批评家学术立场的缺失;对理论的轻视与排斥所表现出的轻理智主义倾向。In 1930＇ s and 1940＇ s, Shen Congwen was the master of the novel of Beijing School. He wrote volumes of critical literature while creating. As ＂master＇ s criticism ＂ , Shen Congwen＇ s critical literature really has its originality, but its limitations are also obeiously： the restriction on literary ctiticism caused by personal artistic interest; the lack of critic＇ s academic stand＂ reflected in the simple ostracism and resistance to the phenomenon of left -wing literature;the tendency to belittle the senses put up through the disdain and ostracism to theories.

关 键 词：“大师的批评” 艺术趣味 学术立场 批评理论 

分 类 号：I206.6[文学—中国文学]