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作 者:朱丽霞[1]
出 处:《上海大学学报(社会科学版)》2006年第5期63-68,共6页Journal of Shanghai University(Social Sciences Edition)
基 金:国家社会科学基金资助项目(03B2W031)
摘 要:明清时期江南地区出现了许多各具特色的望族世家,其中宋徵舆家族是明清易代之际最负盛名的文学巨室。宋氏家族不仅是此际诗坛上实力最雄厚的创作群体,而且词曲创作亦造诣极深。宋存标、宋徵璧、宋徵舆、宋思玉,伯仲、叔侄的散曲唱和体现出风格、题材方面的内在统一和延续,并在思想倾向、情感基调方面表现出明显的家族文学传承的特性。宋氏家族散曲创作取向的趋同,与明清之际社会审美思潮和家族文化背景密切相关。In the Ming, Qing dynasties, to the south of the Yangtze, there appear lots of prominent noble families with their own distinctions, one of which is Song Huiyu's family, most famous for its literary activities when the Ming Dynasty changes into the Qing Dynasty. The family is not only the literary group with the amplest strength in the poetic world of that time but also have a lot of academic attainments in creation of Ci and Qu. The Sanqu echo each other from their brothers or uncles or nephews like Song Cunbiao, Song Song Huibi, Song Huiyu and Song Siyu, embodies the intrinsic unity and continuity both in styles and in themes as well as the distinctive family-literature in ideology and emotion. The common tendency of Song's family in Sanqu creation is closely related to the aesthetic trend of the society and the cultural background of the family of that time.
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