欲望的狂欢——试论晚生代小说的大众文化倾向  

Carnival of Desires——On the Popular culture Trend in Novels of the Late Generation

作　　者：贺诗泽[1] 

机构地区：[1]阿坝师范高等专科学校中文系,四川汶川623000

出　　处：《阿坝师范高等专科学校学报》2006年第3期73-76,共4页Journal of Aba Teachers College

摘　　要：在物欲疯长而思想荒芜的20世纪90年代,晚生代作家在“经济-市场”导向的开放式的新的文化格局中,迎合大众社会的需求,与大众文化相融合,彰显个人化的感性的、经验性的美学情绪,在商业操作之下追求个人化记忆与话语的狂欢,以身体、性、金钱、物质欲求对世俗价值“正名,”表明晚生代所要建立是世俗大众的话语,从而确立欲望化的叙事法则。In the 1990s when desires for material wealth ran wild and thoughts went deserted, writers born in the 70s catered for popular needs, mixed with mass culture, manifested their individualized perceptive, experiential aesthetic feelings in the open and new cultural framework oriented by ＂economy-market＂. Under the operation of commerce, they aspired after individualized memories and revel of discourse; they adorned profane worth with an orthodox name by depicting fleshy bodies, sex, money, material desires, all of which show what the writers born in the 70s felt like constructing in writing was temporal popular discourse and thereby established a narrative code of lust.

关 键 词：晚生代 欲望 大众文化 

分 类 号：I206.7[文学—中国文学]