新生代电影中分裂的父亲形象  

The Broken Image of Father in Films of the New Age

作　　者：郝延斌[1] 

机构地区：[1]北京师范大学艺术与传媒学院,北京100875

出　　处：《南京师范大学文学院学报》2006年第3期89-93,共5页Journal of School of Chinese Language and Culture Nanjing Normal University

摘　　要：在中国当代新生代导演电影作品中,传统的父亲形象被重新书写。通过对父亲形象的不同书写策略的解析,着重探讨了这一传统形象的新变。文中指出父亲形象在电影中的表达,与新生代导演的文化立场、创作态度和市场遭遇具有某种同构关系。In the works of Chinese New Age directors, the traditional image of father has changed. Through analyzing the different strategies of writing, the article addresses the new change in rome detail, and presents that the expression of father＇s image in the films has some relationship with the cultural position of the New Age directors, the creative attitude, and the market situation.

关 键 词：新生代导演 父亲形象 书写策略 

分 类 号：I207.351[文学—中国文学]