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作 者:张兴武[1]
机构地区:[1]杭州师范学院中文系
出 处:《文学遗产》2006年第5期68-77,共10页
摘 要:宋初四朝历时百年,文道传统的重建经历了从缺失走向修复的漫长过程,这一过程既与北宋皇权政治的重建同步,又面临着唐末五代以来文道久丧的惯性困扰。仁宗天圣以前,“道学之儒”和“文章之士”在“复道”和“兴文”两个方面,分别进行了艰难的探索和积累。庆历以后,随着儒道实践主体特性的空前张扬,范仲淹、欧阳修等新一代文人群体将“复古明道”与修身、行事、立言结合起来,倡导以“道义之乐”为核心的文学理念,终于取得了文道传统全面复兴的辉煌成就,并开启了“宋学”先声。An arduous and endless process from the loss or imperfection of literary and ethical traditions to their repairs was seen in the first hundred years of the Song Dynasty.This process was synchronous with the political reconstruction of the four royal powers in the Northern Song Dynasty, and also bothered by the inertial harassment of their loss for a long time since. Before the Era Tiansheng of Emperor Renzong (仁宗天圣) , Confucian literati had experienced difficult explorations and accumulations in the resurrection of these two aspects respectively. Since the Era Qingli (庆历), a new generation of literati like Fan Zhongyan (范仲淹) and Ouyang Xiu (欧阳修), etc. took the initiative to upheld the literary banner of 'being happy with tao and righteousness ' (道义之乐) and finally obtained a glorious achievement in renewing the literary and ethical traditions, which opened the 'Song scholarship' (宋学) for the posterity.
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