北宋初中期“以诗为词”的得失及其影响  

The Advantages and Disadvantages and Influence of the Creative Trend of Taking-shi-as-ci during the Early and middle period of the Northern Song Dynasty

作　　者：谢雪清[1] 

机构地区：[1]贺州学院中文系,广西贺州542800

出　　处：《桂林师范高等专科学校学报》2006年第3期51-54,共4页Journal of Guilin Normal College

摘　　要：“以诗为词”的出现是对北宋初中期颓靡词坛一个强有力的冲击,它改变了词体原有的特征,也改变了词体的发展趋势。它的创作倾向由苏轼处获得成熟定型后,大致形成了以范仲淹、王安石、苏轼式的雄旷激越和以张先、晏殊、欧阳修、晏几道式的风流闲雅为主的两条线,分别影响了以后的“苏辛派”与“周姜派”词人,直至近代。Taking-Shi-as-Ci was a hard blow to the decadent style of Ci and it changed the innate basic characteristics of Ci in a certain developing period and the devrelopment of Ci. After Taking-Shi-as-Ci was developed and finalized by Su Shi, there were two main schools of writers. One was represented by Fan Zhongyan, Wang Anshi and Su Shi, whose style was exciting and radical. The other was represented by Zhang Xian, Yan Shu, Ou Yangxiu and Yan Jidao, whose style was romantic and elegant. And these schools influenced the later schools of writers represented respectively by Suxin and Zhoujian.

关 键 词：北宋词坛 “以诗为词” 评价 影响 

分 类 号：I206[文学—中国文学]