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作 者:刘林魁[1]
出 处:《西安电子科技大学学报(社会科学版)》2006年第5期103-108,共6页Journal of Xidian University:Social Science Edition
摘 要:参照萧绎《法宝联璧序》等文献,可以发现梁代宫体诗派的发展经历了三个阶段:普通年间至中大通前期为宫体形成期,此时的主力是萧纲的幕僚,中心在萧纲藩府;中大通后期至大同六年前后为与京师文风融合期,此时主力是萧纲东宫官员和倾向于宫体的士人,中心在萧纲东宫府;大同六年以后至梁末为盛行期,此时宫体弥漫朝野。每一阶段大约都是十年。这一结论有助于还原梁代中后期文坛原貌,为考定《玉台新咏》编纂时间提供证据。According to the historical literatures written by Xiao Yi, it is concluded that the development of court poem in the Liang Dynasty has three stages. Court poem came into being from the time of Pu Tong to early years of Zhong Da Tong (AD.520-531); its inosculating stage last from later years of Zhong Da Tong to the 6^th year of Da Tong (AD.531-540); it prevailed from Da Tong 6^th year to the end of the Liang Dynasty. A study on court poem development is of help to the research on the compiling time of New Odes from the Jade Terrace.
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