诗学与文化的紧张——弗兰克·奥哈拉诗歌审美与文化的思考  

Tension between Poetics and Culture——Meditations on Aesthetics and Culture in Frank O'hara's Poetry

作　　者：王卓[1] 雷丽平[2] 张燕[3] 

机构地区：[1]济南大学外国语学院,济南250002 [2]北京青年政治学院文秘系,北京100102 [3]河南郑州华信学院外语系,451150

出　　处：《北京科技大学学报（社会科学版）》2006年第3期92-98,共7页Journal of University of Science and Technology Beijing(Social Sciences Edition)

基　　金：山东省社会科学规划重点项目<美国后现代诗歌历史空间研究>(项目号:03BYZ04)研究成果之一

摘　　要：弗兰克.奥哈拉是“纽约派”诗歌的代表人物,在美国后现代诗坛占有举足轻重的地位。然而,多年来,对于奥哈拉的研究只停留在其诗歌的先锋技巧和语言实验的层面上,而忽略了其诗歌中蕴涵的十分丰富的社会文化因素。文章对奥哈拉创作的社会历史氛围,以及他的诗歌文本进行了全面、深入的研究,并特别关注了其诗歌中诗学与文化复杂而独特的关系,并结合诗歌文本进行了深入的探讨。As the representative of “New York School”, Frank O＇hara played an important part in Postmodernism American poetry. However, the researches of frank O＇hara dwell too much on his vanguand techniques and experimental language, ignoring the rich elements of social culture in his poetry. The essay studies the social and historical circumstances of O＇hara＇s creation as well as the texts of his poetry thoroughly and deeply. In particular, the essay probes the complex and unique relationship between poetics and cluture in his poetry.

关 键 词：诗学 政治 经济 文化 

分 类 号：I1[文学—世界文学]