文化想象与1990年代散文  

The Culture Imagination and 1990's Prose

作　　者：杨福生[1] 

机构地区：[1]巢湖学院中文系,安徽巢湖238000

出　　处：《安徽农业大学学报（社会科学版）》2006年第5期88-90,共3页Journal of Anhui Agricultural University:SOC.SCI.

摘　　要：1990年代散文是充满着文化想象的散文。“文化散文”由余秋雨开其端,而真正垫实这一基础的是非作家专业的学者们的散文。这类散文是作者首先写给自己看的,因而真实、坦诚,充满了人文关怀。1990年代末期,史铁生、刘亮程等人的“个人化”写作使“文化散文”走向对生命独特体验的取向,因而使“文化散文”增添了新的活力。The prose in 1990＇ s is filled with the cultural imagination. ＂The cultural prose＂ is opened by YU Qiu-yu, but this foundation is set up actually by the prose of non-professionl scholars, The cultural proses are the writings that the writers write for themselves As a result, they are real, frank, filled with humanities concern. In the late 1990＇s, some works, such as SHI Tie-sheng and LIU Liang-cheng＇s ＂personalization＂ writings made ＂the cultural prose＂ toward the tendency of the special experience to the life, adding ＂the cultural prose＂ new vitality.

关 键 词：1990年代 文化散文 生命体验 

分 类 号：I207.67[文学—中国文学]