唐弢:战斗性与感抒性的杂文  

Tang Tao's Lyrical Critical Essays with Fighting Spirits

作　　者：黄科安[1] 

机构地区：[1]泉州师范学院人文学院,福建泉州362000

出　　处：《宁波大学学报（人文科学版）》2006年第5期1-5,共5页Journal of Ningbo University：Liberal Arts Edition

基　　金：国家社会科学基金项目(04B2W056)

摘　　要：唐弢在战时经历了血与火、生与死的考验,充分发挥杂文的“匕首”和“投枪”的作用。他那些关于晚明历史的杂文就是一篇篇含义深远、机锋锐利的现实主义战斗檄文。唐弢是一个自觉的文体意识的杂文家,“感抒性”是他杂文的艺术风格的重要特点。在他的杂文创作中,通过形象的创造,巧妙地将文章的议论和批判的问题具体化和生动化,注重在杂文的艺术内涵里灌注浓烈的诗情,从而使杂文文体显得从容舒展、摇曳多姿。Having experienced the test of much suffering in the war time, Tang Tao used his essays as weapons aimed at criticizing reality. His essays about the late Ming Dynasty can be regarded as sharp critical essays featuring profound meanings and much realism. He is an essayist with much genre consciousness. “Critical lyricism” is an important characteristics of his essays, in which his arguments and criticism are embodied in a vivid gave by means of images creations. Much poetic legitimism displayed in his essays largely enhances their artistic and stylistic appeal.

关 键 词：杂文创作 战斗性 感抒性 文体的多样化 

分 类 号：I207.6[文学—中国文学]