论晚明世情小说创作的多元理论形态与叙事操作  

On the Poly-Theory and Poly-Narration of Human-Feelings Novels at the End of Ming Dynasty

作　　者：邓百意[1] 

机构地区：[1]复旦大学中国语言文学系,上海200433

出　　处：《中国文学研究》2006年第4期76-79,共4页Research of Chinese Literature

摘　　要：晚明世情小说作为一个整体,无论是小说理论还是叙事形态都比其它题材小说显得更具多样性,这与创作主体意识的多元化文化心态有密切关系。正是这种多元的价值选择和多向度、开放式的艺术实践及总结,造就了晚明世情题材相对成熟的小说形态。As a whole, the fictional theory and narration of Human - Feelings Novels at the end of Ming Dynasty is more diversified than other fictions, which is relevant to the pluralism of the authors＇closely. Just for the selection of poly - valuation and many - faceted and being open to the artistic practice and the conclusion, the creation of Human - Feelings Novels at the end of Ming Dynasty is relative mature.

关 键 词：世情小说 多元 小说理论 叙事 

分 类 号：I209[文学—中国文学]