后现代美学视野中的解构主义时装  

Deconstructionism fashion in postmodern aesthetic perspective

作　　者：苏洁[1] 

机构地区：[1]浙江理工大学服装学院,浙江杭州310018

出　　处：《纺织学报》2006年第11期117-120,共4页Journal of Textile Research

基　　金：国家社会科学基金资助项目（04BJY065）;浙江省教育厅科研资助项目（20040415）

摘　　要：服装设计中的解构是不断地打破旧结构并组成新结构的过程。后现代思潮下的时装设计师们将解构主义表现手法运用到时装设计作品中，颠覆了传统时装的概念与意义，在不断的解构中寻找艺术支点，创造出年轻化、时尚化、多样化的全新外观，并赋予时装全新的时尚意义和审美标准。从后现代美学的视角分析解构主义时装的背景、特征及其表现形式，探讨解构主义时装的设计内涵和艺术创作手段，试图为时装设计创新提供有益的借鉴。Deconstruction, applied in fashion design, refers to a process of constantly breaking old structures and producing new ones. Under the influence of postmodernism, fashion designers apply the technique embodying the notion of deconstructionism in their professional work, resulting in the subversion of traditional conception, seek for theoretical basis for artistic expression through constant deconstruction, create a brandnew style which gives prominence to youth, fashion and diversity, and render the fashion an utterly new fashionable meaning and aesthetic criteria. In the view of postmodern aesthetics, this article analyses the backgrounds, characteristics and expression forms of deconstructionism fashion. And it also studies the design intension and artistic creation means of the deconstructionism fashion in an attempt to give a beneficial reference for creating innovative designs for fashion.

关 键 词：后现代美学 解构主义 时装设计 创新 

分 类 号：TS941.717[轻工技术与工程—服装设计与工程]