论《傲慢与偏见》女性主体意识与叙事技巧  

On Women's Subject Consciousness and Narrative Skills in "Pride and Prejudice"

作　　者：马红玲[1] 

机构地区：[1]商丘师范学院外语学院,河南商丘476000

出　　处：《商丘师范学院学报》2006年第6期60-61,共2页Journal of Shangqiu Normal University

摘　　要：奥斯汀小说《傲慢与偏见》一反传统文学之于女性的歧视、偏见乃至非人化描写,运用独出机杼的消解男性中心话语策略,高扬了在文学中备受压抑和漠视的女权,在一定程度上建构起了女性文学的主体意识。精彩的人物对话和反讽手法的运用,更使她创作的艺术世界趣味横生、变幻多姿,焕发出永恒的艺术魅力。＂Pride and Prejudice＂ by J. Austen, without any traditional discrimination, prejudice and even nonhuman description of women, has exerted her special discourse strategy to clear up androcentrism and speak highly of women＇s right oppressed and disregarded in literature, which forms the women＇s subject awareness to some extent. The wonderful dialogues and irony in her novel has increase the attraction, variety of her artistic creation and shows the timeless charming of her novel.

关 键 词：女性写作立场 反讽 《傲慢与偏见》 

分 类 号：I106.4[文学—世界文学]