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作 者:Xianting Guo
机构地区:[1]Hebei University
出 处:《US-China Foreign Language》2004年第10期6-16,共11页美中外语(英文版)
摘 要:The dispute between the influence and originality has existed for ages. Living in Romantic era, Shelley strongly yields for his originality, but at the same time he still admits and accepts the existence of influence of the predecessors. Though he claims himself to be "a harp responsive to every wind", he betrays his anxiety of influence advocated by Harold Bloom in his prefaces and especially in his early poems "Alastor" and "Ode to the West Wind".
关 键 词:originality influence resemblance anxiety of influence
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