《梧桐雨》与《汉宫秋》的悲剧意境营造  

Sadness Building of Wu Tong Yu and Han Gong Qiu

作　　者：赵翠萍[1] 

机构地区：[1]徐州师范大学文学院,江苏徐州221006

出　　处：《台州学院学报》2006年第5期27-30,共4页Journal of Taizhou University

摘　　要：《汉宫秋》和《梧桐雨》是中国古典悲剧史上的璀璨明珠,这两部作品凝聚着中国古典悲剧艺术的精华,采取几乎相同的艺术手法,营造了悲苦的艺术境界。它们首先选取“苦”事,作为营造苦境的基础,在对“苦”事的处理上,作者又尽量淡化外在的戏剧冲突,而着重表现悲剧主人公波澜起伏的内心世界,并把所选的苦事做了独具匠心的剪裁布局,淡化和主题关系不太密切的人和事,最后又通过悲剧主人公撕心裂肺的独白把悲剧气氛推到高潮,营造了悲苦的意境。Han Gong Qiu and Wu Tong Yu, radiant pearls in the Chinese classical tragedy history with its essence, adopt the nearly same artistic technique and reach a sorrowful artistic state. They first select “painstakingly” the matter as the foundation of suffering building. As for “painstaking” matter, the author desalinates the external conflict as far as possible, but emphatically displays the inner world which the tragedy leading character surges up. The author shows his ingenuity in the choice of the painstaking - matter, and desalinates the description of some characters and deeds that are not closely connected with the subject. The tragedy atmosphere is advanced to its climax by the leading character＇s heart- breaking monologue, thus sadness is built.

关 键 词：《汉宫秋》 《梧桐雨》 悲剧意境 

分 类 号：I207.3[文学—中国文学]