《一个馒头引发的血案》的后现代意义  

The Post-modernity of A Bloody Incidence Caused by A Steamed Bread

作　　者：张化新[1] 

机构地区：[1]西安文理学院文学院,陕西西安710065

出　　处：《唐都学刊》2006年第6期107-109,共3页Tangdu Journal

摘　　要：2005至2006的年末岁初,由电影大片《无极》所引发的轰动,被网络娱乐片《一个馒头引发的血案》的火爆所冲击,同时也引发了影视界、网络界、法律界、评论界等各方面的不同反响。笔者认为将其简单地称为“网路恶搞”是不恰当的。从社会心理、艺术审美以及思维模式、创作方式的发展变化来看,它具有明显的后现代主义文化特征,甚至可以说是其在中国发生发展的一个信号,一个标志性的事件。The Famous film The Promise directed by CHEN Kai - ge, a world famous Chinese Film Director, caused a sensation throughout the country from the end of 2005 to the beginning of 2006, yet came immediately under attack from A Bloody Incidence Caused by A Steamed Bread, its BT edition which evoked different repercussions from circles of film and television, web, law, critics. It is inappropriate to simply regard this phenomenon as a practical joke on net. From the views of sociopsychology, aesthetic appreciation, thinking mode as well as creation style, it symbolizes the development of post modem culture in China.

关 键 词：《馒头血案》 后现代主义 反讽 解构 

分 类 号：J90-02[艺术—电影电视艺术]