殷璠“神来、气来、情来”论——唐诗文术论的一个问题  

Yin Fan's "Romantic Charm,Imposing Manner,and Emotion"

作　　者：卢盛江[1] 

机构地区：[1]南开大学文学院,天津300071

出　　处：《东方论坛（青岛大学学报）》2006年第5期28-31,37,共5页Eastern Forum（JOURNAL OF QINGDAO UNIVERSITY）

摘　　要：殷璠《河岳英灵集叙》提出的“神来、气来、情来”,既指创作状态,又指诗美风貌。所谓“神来”,是在心中酝酿一种情景交融、有着无穷韵味的传神境界,并把它表现出来。所谓“气来”,是创作前酝酿、饱含一种激奋刚健的感情气势,并在创作时表现一种气扬采飞的风骨之美,让读者感受到感情气势的激荡回旋。所谓“情来”,是一种婉情深情之美,一种深婉细润平和之美,是创作时让这样一种深婉之情在心中酝酿到来。Yin Fan＇s preface to A Collection of Poems by the Gifted People from Heyue Region put forward ＂romantic charm, imposing manner, and emotion＂. They not only refer to the state of creation, but also refer to the aesthetic style and features of poems. ＂Romantic charm＂ means deliberating on some realm that scenery depicted and emotions expressed in perfect hannony, with plenty of lingering charm, and then it is expressed. ＂Imposing manner＂ means having some vehement and vigorous manner before creating and showing some majestic aesthetic feeling in high spirits, which nkakes the t^eader feel emotions surging in his mind. ＂Emotion＂ means deep miht and indirect feelings, a kind of beauty formed in the course of literary creation.

关 键 词：神来 气来 情来 意象 境界 

分 类 号：I207.22[文学—中国文学]