论方言对湖北大鼓唱腔的影响  

Local Dialect's Influences on Hubei Drum Vocal Music

作　　者：范晓君[1] 

机构地区：[1]肇庆学院音乐学系,广东肇庆526061

出　　处：《肇庆学院学报》2006年第6期71-76,共6页Journal of Zhaoqing University

摘　　要：湖北大鼓形成至今已约有一个半世纪,它的形成与发展与当地的历史、文化和人民生活有着紧密的关系。其唱腔音乐属于板腔体音乐体制。[四平调]是其基本的唱腔曲调,以五声徵调式为调式的基础。湖北大鼓有其独特的鼓板点子,它是由鼓和板不同的打击方式组合起来的节奏型。当地方言的语言节奏、音调是影响该曲种唱腔音调的重要因素。唱腔风格具有鄂东北地区民间音乐的基本特征,吟唱风格与民间似说似唱的生活音调一致,平和的唱腔与低、降方言的语调风格一致。Hubei Drum has been formed for more than one and a half centuries. Its forming and developing has a close rehtion to the local history, culture, and people＇s daily life. Its music style bel ongs to Banqiang music system with the ＇siming tone＇ as its basic tone and Wuzhi-tone as the base of its tone. Hubei Drum has its own special beats and a rap rhythm by drum and musical plank. The main factors that influence this vocal music are the rhythm,tone of the local dialect. Its vocal style shows the basic features of fork music in Northeast of Hubei with a chanting style similar to the tone of fork way in talking and singing,and smooth vocal music consistent with the falling intonation of local dialect.

关 键 词：湖北大鼓 方言 语调 四平调 唱腔 

分 类 号：J642.22[艺术—音乐]